I recently had the pleasure of spending a week with
Carolina d'Ayala Valva in Orlando learning the techniques of true Italian grottesca.
Jeff Huckaby hosted a class with Carolina at his Orlando studio. We began with transferring the design by rubbing pigment onto the back. Working with egg tempera, we then painted the design with a monochrome of raw umber.
Each step is precise and could be a finished work in itself. All shadows are put in to guide when the color is added.
Layers and layers of thin washes of color are what make the egg tempera have depth and fusion of color.
The palette is chosen and colors begin to replace the monochrome.
Carolina works hard to demonstrate each step and checks constantly on each student on their progress.
After the color fusion, the magic begins with the detail strokes. These small. controlled strokes make it all come alive in the glint of a jewel or the curl of a leaf.
This is what made me seek out Carolina for the second time, to take another class with her. Her detail work is achieved only through discipline and consistant brush stroke.
If one step was left out, this beauty would not exist. Her panels are studies of the relation of color and the play of light.
Each student went home with a beautiful panel (produced by several 11 hour marathon days) that only a room full of "type A's" could create! (thanks Li for that quote)
Special thanks to
Jeff Huckaby for thinking big enough to bring
Carolina from Rome to teach this wonderful class. I think I have it figured out now!
For more information on Carolina and grottesca, click
here and
here.
